Mira Joyce

i do everything.
you can find my work everywhere.
you can see some of it here on my are.na
or on instagram.
i'm currently based in California.
i don't know what my email is either.

june 5 2026

i hate it when people say “don’t get any ideas”
like what the fuck?
i need an extremely bright flashlight

EDVARD MUNCH: THE SUN, 1910-11. PHOTO © MUNCHMUSEET



i’m not interested in being legible
i’m interested in being looked at in the eye

things have gotten so weird and so much has happened in the past 6 years, and especially since my last entry here
2/22 hasn't lost its meaning, this year i went back to Big Sur for the 2nd time sunseeking and revisiting a place that feels like my center of gravity at the end of the world
on my drive up from LA, i drove through a rainbow on the highway and found out that someone made a video essay about me that features a lot of my work
i absolutely couldn't believe it, i teared up and screamed about it a lot alone in my car, it hit me at the exact moment i needed to hear it
it was all about parts of me i'd forgotten depsite being posted a year ago, i can't believe how easy it is to forget what makes you you
i can't believe someone said i'm like their mom's banana bread

"MIRA JOYCE, DIGITAL MAXIMALISM, AND CHANNELING EUPHORIA"

BY JOSUE GONZALEZ



last year i wrote a bit about what 2/22 meant to me in 2025
i had a deeply transformative experience exploring San Francisco and Big Sur before returning to the city again multiple times later that year
the loss of David Lynch has totally and completely rattled me since his passing
on my drive down from the city to Big Sur, i began listening to the audiobook of his memoir Room to Dream by Kristine Mckenna. i can’t recommend it enough, a lot of it is recalled directly by David Lynch himself
i really let the book linger, it took me a full year to finish it, i really didn’t want to let go
so much of it has left such an unforgettable impact on me in ways i’d imagine a lot of other people can relate to
but within the grandiose and the practical of his life, there’s one specific moment i’ve been thinking about lately

Sometime in the 90s, I was taken to a place where I was shown a program called Photoshop, and I didn’t know what they were showing me, but they put the mouse in my hand and said, “Over here are these tools, and you just press on one of them and see, yknow, what it can do.”

I pressed on this thing called the Clone Tool and started doing something and, I don’t know if I passed out, but I might’ve even passed out. It was so amazing. Absolute magical— so euphoric, I became at the possibilities of this thing. I couldn’t believe what it was doing, and I think the people who made Photoshop, who dreamed this up, who made it work, are supreme heroes in this world. This is such a great, great program - so beautiful, so important... and this digital world came alive in my brain and I just... love it. The things we can do now. It’s just incredible.

DAVID LYNCH: ROOM TO DREAM



he goes on to talk about how he created his website, davidlynch.com, and started creating art for it. as time went on he couldn’t maintain the constant output and left it for other vehicles for his voice

the things that made you, the revelations you have that get lost in the torrent of noise but keep returning to you, they never really fully leave

i’m writing this at 1:57am on friday june 5th, 2026 at my partner’s place in SF, and as i’m writing this piece right now about the importance of looking forward and not dwelling in the drafts or memories of the past, i heard a car outside the window blasting kiiara’s “Gold”, the song she became her most famous for before the tour that i went on with the opening act and created visuals, VJed, installed projectors with duct tape on the ceiling of venues, designed merch for, drove the tour van, for maybe 20+ cities across america and canada in 2016
earlier that year i had dropped out of college in chicago and moved into a house that an old friend of mine had rented on Melrose and La Brea because he’d just gotten a publishing deal
he exploited me and everybody terribly but it’s also where i met one of my closest collaborators and the rest of my oldest LA friends, it’s one of the most important chapters of my life
doing graphic design and live visuals in exchange for a <$80 foam mattress from amazon and a place to sleep in a shared room in this 3 bedroom soundcloud rapper house where there was never any less than 8 people crashing on any given night and never any less than 3 backwoods smoked at the same time
honestly it’s genuinely psychotic to have two of your graphic designer friends move into your house and share a room like how do you not think it wouldn’t create a hostile competitive environment.. only love to you, rashaun

it’s so, so crazy how much everything changes and how high stakes everything feels in the moment but in hindsight it’s so simple
nobody really talks about what it’s like to make some of the best work of your life with your friends and start blowing up and then a global pandemic happens

so much has happened in the past 10 or 11 months
i gave a talk at CalArts to a classroom of students, the first talk i’ve ever given, last october
i thought i died last november
i knew [ ] died last august
i really fucked up and thought i died last november though, such a horrible mistake i’ll never make again, everything’s been sorted since the week following it, everyone’s satisfied
but i really thought i died, part of me still thinks i did
it’s completely changed how i think about what i do and who i am and my relationship with the internet and work and everything
is anyone else thinking about selling most of their stuff putting the rest in storage leaving their lease and driving all across the west coast or just me

02.06.2026

i often think about the purity and truth in my writing. i’m in the middle of a life-defining transition from designing luxury capitalism and accelerationist digital primacy aesthetics to something else, maybe nondualist anarchy, maybe degrowth abundance, maybe just Beauty & Love

what is all of this? when was the last time you saw stars? when was the last time you got caught in the rain?

i want surgery. i want transhumanism. i don’t want GLP-1s or Claude to have my Health App. i want delusion but not like before, i want it like how numbers are stars and money isn’t real. i want the moon and the ocean to know my name

there’s this letter i wrote two years ago

I’ve written this letter in my head a hundred times already, each one coming from a different place, emotion, hope, or memory. I’ve written fragments of this letter as diary entries over the past two weeks but I’ve put off compiling and writing this letter until now, 10:12PM on Tuesday May 14th, 2024. I’m not sure why I put it off — maybe because my emotions have been oscillating so much and I’ve been waiting for them to make sense, but I don’t think they ever will.
Tonight I remembered a poem I read on September 22nd, 2022 at 2am that [my old mentor]’s partner wrote. This was about 3 months after meeting them, 4 months after escaping two consecutive living situation catastrophes in the form of a ceiling collapse exposing systemic black mold and moving into an artist loft sublet with a massive moth infestation and flying out to NYC for a month long sublet with no plan, no clothes (because of the moths), just purely going with the wind.
The poem though — I found this poem as soon as I’d found my first stable full time job that I actually really loved, as soon as I’d found my first mentor that really understood me and introduced me to the concept of spirituality and universal consciousness. This poem entered my life two months after ██ ███████ ██████. The poem is beautiful, but that’s not the point. I realized tonight that I’ll never be as naive as I was in that moment ever again. The passage of time is so bittersweet. ...

the things that made you, the revelations you have that get lost in the torrent of noise but keep returning to you, they never really fully leave

Bill Watterson really knew what he was doing with Calvin and Hobbes
i can’t find the tweet anymore but in 2020 someone sent me "SOME THOUGHTS ON THE REAL WORLD BY ONE WHO GLIMPSED IT AND FLED", Bill Watterson’s commencement speech at Kenyon College back in 1990 and it really changed my entire life and then i got distracted by something and forgot about it
in 2022 it came back up again and i wrote about “The Cards We’ve Been Dealt” after experiencing the beginning of what life feels like to me, and then i deleted it forever and forgot about the commencement speech again
6 years later i remembered it again and i really think it’s important for everyone to read it

i’m in the middle of everything changing all at the same time at once again
friction is everything and it leaves me breathless every single time
i impulsively booked a flight to nyc from chicago for 2/22/24 to watch a friend play an amazing set for a bizarre rave
i felt reconnected to everything again in this new way that, of course, i’d go on to forget about and remember and forget again
while i was in the city i went to go see Klein Blue at the MoMA for the first time and although it’s my favorite color it was pretty underwhelming
i’m so glad i decided to check out The Whitney while i was on the island

Jay DeFeo’s The Rose (1958-1966) is nearly 11 feet tall and weighs almost a ton.
To create this massive artwork, DeFeo added a thick layer of paint to her canvas, let it dry, chiseled it away, and then did it all over again. For 7 years, she repeated this process of application and removal—lore has it that all kinds of detritus from her life became incorporated into the paint.
The work holds other mysteries too. For years it hung in a conference room at the San Francisco Art Institute, but a wall was constructed over The Rose when the building was renovated. Legend grew about the painting, but it remained sealed within the walls until 1995, when a Whitney curator had it excavated and restored.
Now, in the light of day, it blooms on our seventh floor.

JAY DEFEO: THE ROSE (1958-1966)


i’ll never forget when you told me i’m a writer after i told you about how I Trawl The Megahertz relates to my creative work, it was so casual and delivered as such a truth and i’ve never really thought of myself as that

the things that made you, the revelations you have that get lost in the torrent of noise but keep returning to you, they never really fully leave

it’s funny how a lot of people see me as the t shirt designer who hasn’t sold any for the 5 years i’ve been teasing them
it would have meant my purpose in writing was to sell things, not say things
it’s so important to keep imagining what’s possible and let yourself be dramatic and pass out like David Lynch did about the clone tool
it’s so important to put purple up in your beige room if that’s what you like
it’s so important to mix the blue and the green, the star and the spiral
the imagination and the holy with the earth and the mundane
the ancient is in the detritus

thanks for coming back
i’m really happy you’re here again

august 28 2025

on Earth

we’re right here
we’ve come a long way
i’m so glad you made it
i’m so glad i did too

i’m just here
waiting to be seen again
music with music

i’ve been thinking a lot about you and i
and by you i mean you, everyone, the Earth, everything
i’m so grateful we’re here together to experience Earth
then, now, and forever

i open two gifts every morning and they’re my eyes
but there’s something about right now, everything feels so deeply like a new beginning
there was a black moon on the 22nd
it was in virgo just like the next new moon on the 21st
two new moons on my sun
scorpio stellium in my 12th house
i don’t know what that means honestly
i have a vague understanding of it, my own intuited meaning of these things, but there’s so much i don’t know
but i know i can feel it

you can start over & over & over & over again

patterns are such a fractal if you spend too much time in them
prescriptive communication doesn’t resonate with me
i’m not interested in doing things the way they’ve been done before
patterns, cycles, ebbs and flows, rumination
it’s all as deep as you let it be

over & over & over &

wading in that reflection pool of rumination becomes too comfortable
patterns can repeat and diverge simultaneously
it’s all about effort, it’s all about humanity
we take so much for granted, especially each other
when you’re being mean to me here’s who you’re being mean to

everything is everything
i don’t believe in nothing
i think you’re me, i’m you
we’re Earth

ARM IN ARM: A COLLECTION OF CONNECTIONS, ENDLESS TALES,

REITERATIONS, AND OTHER ECHOLALIA BY REMY CHARLIP



to be honest it’s been hard for me to follow up my writing from january and february
i poured my entire soul into this blog, or whatever this is, i really have no idea what i’m doing here
you have to realize i have no idea, nobody has any idea about anything
there is no playbook

i love intensity and depth and transformation but there’s too much of it right now
there’s this pervasive nihilism and we desperately need authentic reciprocity and empathy
performative identity, action, communication are all killing us
i don’t think people want to do the song and dance to prove themselves
i’m so tired of meaningless words and confusion
we’re all here for each other, we owe each other beauty

the first few months of this year were some of the worst of my life
i was absolutely terrified of existing in public given the current political situation
i almost fled the country, i was desperate to be seen, waiting to be seen, music with music
i was still in brooklyn at the time, completely invisible physically

sometimes you just need to listen to I’m God and look at a picture like this

LIFE IS GOOD



i immediately bought a plane ticket to go to California on 2/22
i’ve seen so much Earth this year, so much Earth i’ve never seen before
i’m so grateful for San Jose, Big Sur, Monterey, San Francisco, Yosemite, Mammoth
there is absolutely nothing like driving down the 101 and pulling over to watch the sunset

my reality’s been shattered many times this year, so much death and rebirth
i'm dramatic, i know
i was talking to my dad about reincarnation
he told me “i don’t believe in astrology because it puts planets on a 2 dimensional axis when they’re on a 3 dimensional axis”
he casually mentioned he thinks he’s a bodhisattva
i had to google what he meant, we’d never talked about spirituality ever before

over & over & over &

i used to think of the Earth as this unreal place viewed through a screen
i used to pull all nighters on google earth doing nothing but taking screenshots of how gorgeous the satellite imagery of Earth is
it’s like Earth was this fake thing in my reality

maybe it’s related to the phenomenon of the sudden lack of wanting to die that takes place when transition starts
maybe it’s just a coincidence

since late 2022 i’ve been absolutely obsessed with the sky, the sun, the stars, the air, and the water
i used to be so obsessed with the digital, the cultural Now, the absolute bleeding edge
but a lot has changed in the past few years
something we've lost by flattening all media into "content" is a sense of grandiosity, meticulously considered visions of dramatic scale that absolutely command your attention
everything's just a blur now
dozens of situations to monitor, so much fear, only months to “escape the permanent underclass”

are we really being serious right now?
do you really want to conform to that world?
it’s only reality if you accept it as that
the grandiose is in the outside world
please go outside
there’s so much i want to show you

we cannot lose awe and wonder to whatever the hell is going on in this digital nonreality
the old world might be dead and San Francisco might be the new American City because the algorithm has become the rails, the entire infrastructure of digital culture, of the shared digital reality
it’s genuinely so confusing because i fell head over heels in love with San Francisco in June
there’s this indescribable energy that made me feel completely at home as soon as i arrived for the first time in my life

during my first week there i was serendipitously invited to a dinner party at an internet friend’s apartment in bernal heights
there were 6 of us there, it was my first time meeting my friend irl and my introduction to the rest
my friend asked me what my favorite grilled food is and i said “i dunno, hot dogs”
he cooked steak
it was one of those situations where it’s not even awkward, you’re just fully there, fully alive, showing your humanity
they were all talking about their experience seeking
i felt like i knew far less than everyone else, it was so obvious and humbling
but there was this feeling of unspoken understanding of the depth of Everything
when i left, my friend told me “this is what you’ll encounter when you spend time up here [in northern California]” maybe i'll see about that soon

over & over & over &

spiral shapes have kept showing up in my life since i left NYC for California on 2/22
my dreams have been so vivid and real
on my way to the airport on 2/22 i discovered Prefab Sprout’s “I Trawl the Megahertz” ♫
it was the beginning of my journey with Earth this year
i’ve been absolutely obsessed with the story behind it

i’ve never heard of a story like this before in my life
channeling fragments of Everything and combining them, editing them
converging all signal, all known knowledge and experience into this absolutely gorgeous 22 minute long song
i downloaded Ableton last weekend and it’s so crazy they let you do whatever you want in there
it’s so crazy you can sample anything
it’s so crazy you can channel Everything and not even know

my reality has continued being shattered in different ways and maybe it’s my saturn return or maybe it’s just what growth is, what life is
realizations of patterns and how they get in the way of truth, energy, Love
recognizing the effort and energy necessary to transcend the patterns
deciding to walk away or to actually, really try

either way, you have to remember that magic is real, time is fake, love is an everlasting layer of reality and is the light energy of the sun
money isn't real and numbers are stars
remember who you are
never take the sky, the sun, the stars, the air, the water, this world, or each other for granted

it's all love

february 17 2025

this is the year of dreaming

• rules don't exist anymore
• mystery is more addictive than ever
• the liminal period between realizing change and its actualization is addictive
• ambiguity fuels manipulation's fire
• doom cultists say we have five years, a few years, less than a year, before it's too late
• it's already too late
• nothing is real
• everything is real, feel it with your body
• the robots are trained on your data and i'm sorry but you have to let it go, it's too late
• the robots are trained on your data and it's much worse than what people think it is, and i hope it's not too late
• i know you're scared, i am too
• training data is 4chan, gangstalking forums, 00s livejournal suicide letters, obsessive manic delusional "research" from mentally ill people who are out of touch with reality, people that question every aspect of reality
• depths of cognition and subconcious are available to all, it's not too hard to stumble into an infohazard
• everything questions reality now
• everyone's scaring the hoes
• i'm worried about not being able to travel
• trump's EOs and their similarities to nazi book burnings... well,
• there really isn't anything to do about it that isn't extreme

• mystery is addictive
• i didn't really know what it was like to be real until a few years ago
• i really love the new oklou album

"starting life at the end,
is it even real?"

OKLOU — FAMILY AND FRIENDS



• i really love malibu's music and her belmont girl project
• it felt like the beginning of something really new when i discovered her united in flames mix series last year (i was late!)
• one of the first uif mixes i heard in realtime was malibu x evian christ
• there's this moment at 56:59 in the mix, a vocal sample asks, "are you frozen?"
• my screenname as a teenager was "frozengirlfriend", a phrase i did significant mental gymnastics to avoid confronting the reality of my true identity as a transwoman
• my grandma passed away at that exact moment on the air, she was 100 years old, i never had the chance to tell her

• a lot of other really strange syncronicities happened last august through mid november
• a friend of mine was talking to the robot and it inexplicably referred to her as my first name
• a friend of mine let me stay at their apartment while they were out of town performing in miami. the moment i left for the airport, a glass inexplicably shattered all over the kitchen floor
• they thought i did it intentionally at first, they were reasonably upset but it quickly turned into a "wait what?" moment
• i stayed at this incredibly beautiful home in California last august, it felt like breathing the right air for the first time in my life. a lot of people told me that California sun looks good on me
• i'm not great with compliments but i actually believe people when they say them now
• it felt like a new dream had been born, a new version of a new version of a new version of an older dream. but this one felt much more real
• it's strange to finally develop a sense of confidence when you're starting life at the end

• i hadn't listened to lana del rey until last year
she's so good are you kidding
• she really gets California

• last october i kept seeing the word "imagination" everywhere
• it's like i read the word "fantastic" for the first time

fantastic (adj.)
late 14c., "existing only in imagination, produced by (mental) fantasy," from Old French fantastique (14c.), from Medieval Latin fantasticus, from Late Latin phantasticus "imaginary," from Greek phantastikos "able to imagine," from phantazein "make visible" (middle voice phantazesthai "picture to oneself"); see phantasm. Trivial sense of "wonderful, marvelous" recorded by 1938. Old French had a different adjective form, fantasieus "weird; insane; make-believe." Medieval Latin also used fantasticus as a noun, "a lunatic," and Shakespeare and his contemporaries had it in Italian form fantastico "one who acts ridiculously."

• i looked into the etymology, hours went by, and i found myself looking at Système figuré des connaissances humaines for the first time
• history/memory, philosophy/reason, poetry/imagination

SYSTÉME FIGURÉ DES CONNAISSANCES HUMAINES



• i have this routine with two people close to me where we listen to uif at the same time and text each other "omggggg"
• people are really just people, and the range of intensity in expression is amplified by that addiction to mystery
• i had never heard of the musician ballad before january's uif, they're really phenomenal
LA fires burned down malibu days before that uif
• it felt like that dream i had, the realest dream, was dead forever in an instant
• the smoke from the flames killed david lynch, a massive inspiration and hero of mine
• that uif hit like lightning
• i made this website that day and wrote about everything, about Love. my first time i've put writing onto the internet
• lots of tears in january

• now we're where we are now
• i hate my computer but i'll probably get over it
• the pendulum always swings
• it's really swinging right now but it's about to much more
• the robot told me my north/south nodes were taurus/scorpio, but i just found out yesterday that it was wrong, it's actually scorpio/taurus
• i think that makes a lot more sense
• i don't want to entrust the robot with my stars
• i'm worried about you
• everything's happening as it needs to

"is the endless still unbound, or am i just different now?"

OKLOU — ENDLESS



• i hate baggage and i wish everyone would just let go of everything that's already happened
• that's not to say erase it, but to embrace the new
• i'm really exhausted from thinking

"In its flight from death, the craving for permanence clings to the very things sure to be lost in death"

HANNAH ARENDT, LOVE AND SAINT AUGUSTINE, 1929



• you can go back but it will never be the same
• i realized that my dream i thought was completely dead isn't fully dead, it's just different
• maybe that's what this all is

"The Seasons are emblems of the incessant ticking of time and, flanked by an erotic scene and theatrical masks, symbolize an eternal love that overcomes the passage of years and changes in appearance."

VILLA ROMANA DEL CASALE, PIAZZA ARMERINA, SICILY, ITALY

4TH CENTURY A.D.



• you love, you live, you die, all over again
• see you in the stars

january 16 2025

there’s something about this moment that i just can’t put my finger on
it’s like
it’s vaguely familiar
but not quite

memory flows through all the glimpses
every single glimpse
it’s awe, it’s mystery, it’s stillness, it’s everything
it’s pure, it’s perception

it’s acknowledging and accepting at the edge of understanding

“i believe you should take all of the elements and let them show you the way
so i definitely would not want to read the meaning of my life”

it’s all a dream and it’s everything
everything is everything and everything is also nothing but nothing is everything and it's endlessly infinitely collapsing into itself recursively while expanding and multiplying at a pace far beyond the speed of light
every moment that has ever happened and will ever happen is happening right now all at the same time and will continue to do so forever

it’s pure energy, it’s Love
Love isn’t oxytocin or infatuation it’s a layer of reality that’s always there
Love is the light energy of the sun

Love interacts with reality in the form of abstraction
it’s always so perfect together
nothing is ephemeral, everything is and has and will be
everything is analogous, analogies are a zone where communication and understanding flourishes
the grey area of implicit to explicit is pure beauty, Love
if you’re too abstract you’ll lose your voice, and if not you compromise depth
this beautiful endless dance of Love

language is how it reaches us
without it, everything is incomprehensible
light can’t shine without the sun

ambiguity isn’t necessary but it’s essential
it’s the catalyst of the essence of magic
that thing that you can’t put your finger on
but that you need to know
it’s awe, it’s entrancing
it’s incomprehensibly vast, it’s infinitesimal, it’s supermassive
it’s the sun, the beautiful gigantic cinema above us

it’s this shared hunger for meaning, but not in a cynical or desperate way
this quiet electric yearning, this intimate collective weight we’re all holding together
of course there’s a shadow but there’s an unspoken acceptance of it, levitating with it
it’s the universal symbol, it’s on the edge of being understood
communication despite barriers, energy through stone
it’s resonance, it’s divinely connected imagination

sometimes it feels like we’re growing beyond the need for written language
there’s this incredible depth and sensitivity in the simplicity
especially in the current moment that is, was, and has been

there’s this song Luv (Exit) by Lb Honne with this sample over an ambient minimal deep house beat, i haven’t been able to find the source despite endless searching
it’s a recording of a person talking about the Soul
and this quote —

and so
not everyone is in connection with the soul
most people are actually not
they are touched but they don’t know it
they don’t understand it because it cannot be grabbed, right?
this is why when you ask a person, “what is the soul?”
they say “yeah…”
they cannot know it
you cannot know it by your mind
you have to be touched by it
and you have to want it even if you don’t know it


so very important to remember
what we can touch is not what touches us
but what we cannot touch is what touches us the deepest

i don’t know a lot about spirituality
i don’t know a lot about life, to be honest
i hadn’t felt what it was like to know Myself until a few years ago
i hadn’t felt what it was like to know Love until a few years ago
and you learn these things, these incredibly small things, these supermassive things, incrementally over time, whether it’s emotional or academic
i don’t want to be wise in an academic sense
there are a million things i actively avoid understanding, completely benign things, for no reason other than preservation of my naivete
the phrase “childlike wonder” has this stigma, but that’s it, but it’s also not it because of the stigma
naivete is what sparks awe, it’s angels, it’s ambiguity, it’s abstraction, it’s Love

it’s laser focus while maintaining an immense peripheral
the ability to collage energy, to perceive things in the world by the energy they hold and connect them together in a completely unique way
Burial went godmode with this on Boy Sent From Above, like, all of these glimpses of completely individual things coming together into something so intense, and it just makes sense
it goes beyond written language
or maybe it doesn’t, and maybe that articulation is just something i don’t know, you know? it’s all paradoxical
but i believe it goes beyond

i think a lot about Dune but i have absolutely no idea how to articulate how it’s impacted me
i think a lot about memetics and symbolism
like, the semiotics of an Image, a symbol, a sound, the qualia we encounter by Experiencing
beyond an inside joke, beyond a safe word
i think about these things so much, like, it’s my job as a creative director, art director, designer, and artist. my desire to make the most compelling and resonant Image, the perfect Image, and I have to sit in this abstraction layer, ruminate in it, Dream, to translate emotion and vision into Image

this energy has become more apparent in recent years as a reaction to AI generated media
it can’t create resonance on its own
signal pierces through noise more loudly lately
i think a lot about Arrival and its use of nonlinear orthography
i think a lot about perceiving things through a sacramental and gnostic lens simultaneously
everything is both real and illusory concurrently, but it’s hard to dream within the real

mystery is everything
and by writing this…. well, you know
i’d rather not explain what i mean
embrace Love